I think I know what I concretely see
what I visually remember what I hear
or listen to in the silence of my mind
what I thought I smelled if not tainted
not sure if my senses are tainted How
do I know my existence my palms pressed
against a beech tree aged with florescent moss
stained against the base How do I know
my existence jolted by distant bush movements
unlike the leaves hissing from intense breeze
in sea waves or maybe the green finches
and blackcaps caught by bird recording not trusting
what I hear How do I know my existence I speak
English in Japan Germany Slovakia my English
sounds different to each I remember best
my written words I get to erase cross out annul until
I find a fitting word until I grow a tree ring revise
or wonder what I was thinking I am then redressing
my existence A field mouse hollow
in a hollow A possible truth is how
someone sees me how each sensory reception
which believes in their existence believes in mine
I always wondered how we from preschool are taught
colors how we concretely paint images yet
I am called black with brown skin

Mervyn Seivwright writes to balance social consciousness & poetry craft for humane growth. He is a nomad from a Jamaican family, born in London, England, & left for America at age 10, now residing in Kaiserslautern, Germany. He is a Spalding University MFA Graduate & has appeared in AGNI, American Journal of Poetry, Salamander Magazine, African American Review, & 75 other journals across 13 countries, receiving recognition as the 2024 Marvin E Williams Literary Prize winner and is a 2021/2023 Pushcart Nominee. His new collection is Stick, Hook, and a Pile of Yarn, Broken Sleep Books.
