Rauschenberg’s Bed
How a bed once dressed with a kindly quilt becomes
unsleepable site of anarchy What body-holes expressed
their exaltation loathing exhaustion
what horse of night has pawed those sheets
what talk under the blanket ravelled
what clitoris lain very still in her own subversion
what traveller homeward reached for familiar bedding
and felt stuff tatters under his fingers
How a bed is horizontal yet this is vertical
inarticulate liquids spent from a spectral pillow
How on a summer night someone drives out on the roads
while another one lies ice-packed in dreams of freezing
Sometimes this bed has eyes, sometimes breasts
sometimes eking forth from its laden springs
pity compassion pity again for all they have worn and borne
Sometimes it howls for penis sometimes vagina sometimes
for the nether hole the everywhere
How the children sleep and wake
the children sleep awake upstairs
How on a single night the driver of roads comes back
into the sweat-cold bed of the dreamer
leans toward what’s there for warmth
human limbs human crust

Adrienne Rich (1929-2012) was born in Baltimore in 1929 to a Protestant mother and a Jewish father, and she achieved acclaim early on for poems that were praised for qualities like control and elegance. She later moved away from the formal restraint of her early work and towards an aesthetic more in line with her increasingly radical politics. From the early 1960s onwards, Rich insisted on bringing together the personal and the political in poems and essays that explore issues such as motherhood, sexuality, racism, anti-Semitism, and war. Through her work, Rich shows how even the most intimate moments can shed light on pressing political issues, while also revealing how politics inform every aspect of our lives.
