Spiritual/Liminal

In October, the line between the ethereal and corporeal becomes blurred. These poems speak to the gossamer thread that separates life and death, and invites us to commune with those who have passed through the veil.

 

 

Heritage

by Mervyn Morris

 

whispering ancestors

enfold me in their loving

ghostly immanence

 

 

Morning 

by Duo Duo

Translated from Chinese by Ming Di

 

it’s morning or any time, its morning

you dream of waking up, you’re afraid of waking up

so you say: you’re afraid of ropes, afraid of women with faces of birds, so

you dream of your father

speaking bird words, drinking bird milk

you dream of your father as a bachelor

who by chance, not in a dream

had you, you dream the dream your father dreamed

You dream your father says: this is a dream a dead man dreams.

 

you don’t believe but you’re inclined to believe

this is a dream, only a dream, and it’s yours:

it was once the handlebar of a bicycle keeping the shape squeezed by a hand

now, it droops from your father’s belly

it was once a son refusing to be born

now its you

crawling back to that handlebar you’ve dreamed all the details

like the teeth your father dropped on the ground, glittering

and laughing at you

so you are not the death

but merely a case of death: you’ve dreamed your dream’s death.

 

 

A Field of Red Poppies 

by Daniel Simko

 

I can see them now, I think, bowing against absence,

and trusting us.

 

They are, what my friend calls, a mind’s glove.

 

Small death’s head, small bodies that are not there.

 

It is all right to think of them in a photograph,

or in a dream.

 

It is all right that they assume their sinister bend.

 

What else can you say about poppies?

 

How they remind you of your childhood,

or of someone who is not there.

 

That’s all.

 

And yet, this is a field

where they were throwing people once

 

That’s the story,

 

And it still matters. Because it is voiced.

 

 

A Mattress

by Jaroslaw Mikołajewski

Translated by Piotr Florczyk

 

Father blew it up for us every summer.

It’s thirty years old, maybe older.

Sand still falls out of the deep creases.

The thick spots still breathe the air of his lungs.

 

Until I throw it away, until the rats chew through it,

my father can go to the beach.

 

Tinned cough.

Reliquary of hazel pegs. Organic souvenir.

Balm of carefree breathing. Eternal rest.

A bellow of resurrection.

 

 

Heart Attack 

by Morton Marcus 

 

When I visited my friend in the hospital, he was smiling, his face pale 

and small against the pillows. 

 

“It was as if God had placed his whole hand on my chest with infinite, 

loving gentleness,” he said. “I’ve never known such pain.”

 

 

Flag 

by Katie Ford

 

Some come to this ruin and raise a flag.

Some take a prophet too soon by the hand.

The dead are still lost and the lost nearly dead:

Here a woman spills onto her porch to show

she has opened her wrists. What did she use?

She used the wind.

 

 

Ghost Driver 

by Mervyn Taylor

 

He whistles while he waits

For a customer who never comes out.

The base often sends him on such

Wild goose chases all over the city.

In this neighbourhood he has been robbed

Repeatedly, has the mark where the barrel

Was the last time pressed against his temple.

He does not remember the gun going off,

But ever since drives through a twilight of

Wrong addresses and bad pickups, teenagers

Who bolt without paying, cops who ticket him

For expired insurance and tarnished medallion.

 

He never runs out of gas, sleeps in his cab

On the side of the road. Mavis, his shotgun rider

Has long since abandoned him; only yesterday

He noticed her makeup mirror still on the shade.

This fare is not coming. He sighs, makes a U and

Listens to the lilt of the West Indian dispatcher,

Asking if anyone near Ditmas and 23rd,

Anyone, anyone? Apparently not hearing over

The crackle as he repeats, I am,

I am, I am …

 

 

With Great Fear, We Inhabit Our Respective Mountains

by Brynn Saito

 

I’m talking to the dead in the dawn air
          in the time it takes to eat seven grapes.

I’m learning how to distinguish poplar from holly
          by closing my eyes and listening.

Sai-no-kawara is the place where a river splits life
          from afterlife, where dusklight throws its shadows.

This is where I live now, brushing your hair
          away from your eyes as if that will help me see better.

Is there a word for repeatedly going outside
          to see if anyone is coming? Is there a word for wanting

to be a mother while not wanting to be a mother?
          Sycamores are growing on the moon again

meaning anything is possible, including our continuing
          to serve life on this planet even if we don’t

have a child. In all of the ways to come out of this
          I choose this one: with you holding a flame in a jar

and dancing under little white lights strung like teeth.