And the question you will have to answer again and again: if the self abducts the self, who is left behind?
—Kate Schmitt, Singing Bones
1.
Silence
an unconditional sigh
an empty corral
~
A life, when pressed,
will turn
into a flare.
You don’t believe this.
But if the moths gathered
on our door
aren’t convincing
~
My mother’s disorder
becomes mine
I wait for understanding
convinced my body
is more conviction
than hers
~
Memory
of the mind
is different
than memory
of the body—
grayer,
more hesitant.
~
I pull the furniture
from the living room
into the bedroom,
insist we live
only there. I pack
our books and dishes,
stack the boxes in front
of the windows.
They are a warning.
~
A voice grating bald
I can’t get away
from the inner climb down
~
For days I am sleepless soul-hungry
~
Light lies
in the way
water is contradiction:
holding
to the shape
of its container
spilling out
when there is too much
to hide.
~
On a hike at Fall Creek Falls,
we came upon
a rattlesnake—
coiled and ready
to strike. You pulled me
back, stopped me
from stepping into danger.
I have always wanted
to save someone.
~
It is the same in every room
a hole spreading
on the floor
waiting for me to step inside
2.
Truth is a series
of excuses— inaccuracies
poured into moon-
shaped molds,
emptied and filled
again and again.
~
Is this my voice
merciless(ful)
~
Each part of the body
holds recognition.
The legs stake, the back
folds, the lungs shiver. What is
let loose resembles a riot
of worn desire, a burst
of desperation.
~
When I can’t sleep
I tell stories
In the stories I am released
~
We are malleable,
shape-shifters.
But daybreak can fool us
into thinking everything
will be okay.
~
Sound carries
memory,
a rip current
pulling the wrecked
vessel of identity.
A murmur
sets it off:
silence, then
the whisper.
~
A voice holds me
to the night
sky I see the gaps
and folds of the universe
~
When I can’t sleep,
the stories drain me, the characters
always the same:
a meteor shower, a mountainside
cabin (lonely
and unimportant).
This is longing. To fly,
to abandon this body.
3.
Diagnosis:
seeds scattered across
the ground,
swelling
from the evening rain.
~
I stay inside, pretend
others are characters,
pull aside the thick
kitchen curtains,
see sky
blue, a lily
waiting
to be cut.
~
My teeth
loosen,
shift, fly
out. I dream
this every night,
a drop
in conviction.
I must figure out
who I am.
4.
In a photo of us,
smiling and trying to hide
the day’s heat,
a bird
nearly out of frame
hems the sky.
To fly must be
like tearing
the pitch
from a thick night.
The air was still
that day,
comfortless.
~
Balance
is fantasy,
one world
and another,
an opportunity:
Trust myself.
Don’t trust myself.
~
I swore I wouldn’t turn
into her, yet here I am
holding two tomatoes
from my own yard, asking
if they are good enough.
~
A voice torn
indifferent one day
the next root-bound
~
One day you will ask
remember when the neighbor’s
dogs fought? I will answer no.
You will recreate the story
of how the dogs’ jaws locked together
for half an hour, how the neighbor
couldn’t break them apart
despite shooting
a gun in the air,
spraying them with water.
I will ask where were we,
why didn’t we do something?
And this you may not
remember: we were inside,
the music loud, singing
to each other, unpacking
the boxes of books and dishes.
~
Don’t trust my memory.
It’s filled with gaps filled
with dreams. Lights
wave. I am not
who I thought I would be.
~
I have always wanted
to be rescued, but
redemption is moon-
heavy, the way music rests
in memory—
fractured, perpetual. If we hear it
to its end,
the mind
finds a new piece
to cling to.
~
There were boats once,
shaped like mouths
that were pulled deeper,
bluer. All I could see
was what I’d missed
and the dim lamps
glowing
in the water.

Stephanie McCarley Dugger’s collection of poetry, Either Way You’re Done (2017), was published by Sundress Publications and their chapbook, Sterling (Paper Nautilus, 2015), was winner of the Vella Chapbook contest. Their essays and poems have appeared or are forthcoming in Arts & Letters, Baltimore Review, Mid-American Review, Poet Lore, Spoon River Poetry Review, Tampa Review, and other journals. They teach Creative Writing at Auburn University at Montgomery and also serve as Creative Nonfiction editor at Los Angeles Review and Thirteen Bridges Review.
